{"id":1983,"date":"2026-10-27T18:59:28","date_gmt":"2026-10-27T09:59:28","guid":{"rendered":"https:\/\/www.yamada-shoten.pro\/english\/blog\/?p=1983"},"modified":"2026-10-27T18:59:28","modified_gmt":"2026-10-27T09:59:28","slug":"new-arrival-kanpon-by-takei-takeo-yoshiiku-hiroshige-yoshikazu-kuniteru-toyokuni-kunisada-yamanaka-gen-goda-nobuyo-yamashita-kiyozumi-uchida-shizuma-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.pro\/english\/blog\/?p=1983","title":{"rendered":"New Arrival: \u201cKanpon\u201d by Takei Takeo \/ Yoshiiku, Hiroshige, Yoshikazu, Kuniteru, Toyokuni, Kunisada, Yamanaka Gen, Goda Nobuyo, Yamashita Kiyozumi, Uchida Shizuma and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Twenty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-eight Famous Murders with Verse \/ Murai Choan” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-eight Famous Murders with Verse \/ Enjo Jizaemon” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Twenty-eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Twenty-eight Famous Murders with Verse \/ Tsuzuki Denshichi” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of People from Various Countries” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of People from Various Countries” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Five Festivals: Alternate Names of the Months \/ The Seventh Month” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Famous Views of Edo \/ Dawn at Kanda Myojin Shrine” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
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\n\t\t“Illustration of Yokohama Coast” by Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
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\n\t\t“Famous Places in Edo: Asakusa Kannon” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t\"Famous
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\n\t\t“Famous Place in Tokyo: True View of Sujikai Spectacles Bridge” by Hiroshige III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Battle of Kurikaradani at Tonamiyama in Kaga Province, on the Sixth Day of the Fifth Month, 1183” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t
\n\t\t\"Sukune
\n\t\t<\/a>\n\t<\/div>\n
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\n\t\t“Sukune Kanemichi Defeats Otomo no Matori to Take Revenge for His Father in the Reign of the 39th Emperor Tenji ” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t\"Famous
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Famous Places in Tokyo \/ View of Gofukubashi, Minami-dori, Nihonbashi” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Steam
\n\t\t<\/a>\n\t<\/div>\n
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\n\t\t“Steam Trains, Carriages and Rickshaws in Flourishing Tokyo” by Kuniteru II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Nezumi Komon Haru no Shingata” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ataru
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ataru Tori no toshi” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scene
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scene from a Kabuki play” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lives
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lives of Loyal Heroes of Recent Times \/ Mori Gorokuro” by Yoshitsuya\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Third National Industrial Exhibition at Ueno Park” by Shogetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"New
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“New Year Event of Firefighters” by Kunitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kabuki
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kabuki Play: Tsuru no Chitose Soga no Kadomatsu” by Kunisada II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Birthday
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Birthday Celebration at Nihonbashi” by Ikuhide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Keiyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Keiyo michiyuki zukushi \/ Umegawa and Chubei” by Kunisato\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shape of Blue” by Yamanaka Gen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
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\n\t\t“Title unknown” by Goda Nobuyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bathing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bathing B” by Yamashita Kiyozumi\t\t<\/a>\n\t<\/div>\n<\/div>\n
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\n\t\t
\n\t\t\"Lighting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lighting the Flower” by Nagano Junko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Cat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Cat (tentative title)” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Landscape
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Landscape” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mother
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mother and Her Child Praying at Hitokoto Kannon, Nara” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Ainu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Ainu Woman (tentative title)” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title uknown” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title uknown” by Uchida Shizuma\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Sakakura Shinpei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Vine
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Vine” by Kadosaka Ryu\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n

\n\u25bd\u3000\u201cKanpon\u201d by Takei Takeo<\/a>\u3000\u25bd\n<\/p>\n

\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 5: Dogo-cho” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 14: Mr. Cat” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 37: An Alternate Eden” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 38: Sphere” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 39: Canary ABC” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 43: Nanae and Yae” by Takei Takeo \/ paper carving by Nanbu Yoshimatsu \/ urushi-zuri by Goto Seikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 44: Yonjuyonbankan” by Takei Takeo \/ woodblock printed by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 45: Human Beings and an Apple” by Takei Takeo \/ hand-printed by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 45: Human Beings and an Apple” by Takei Takeo \/ hand-printed by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 46: The Flag of the Gods” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 47: The Unlucky Man” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 48: Space Tailor” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 49: Harem” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 54: Purple Glasses” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 56: The Pearl Pond” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 58: A New Earth” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 61: Zobutsushu shisso” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 62: Shuju no kyoen” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 64: Twentieth Century Tiger” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 64: Twentieth Century Tiger” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 65: Life Stamps” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 68: Sakadachi Kankuro” by Takei Takeo \/ hand-printed by Kobayashi Sokichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 69: Six Windows” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 70: Devil’s Flag” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 71: The Lake Person” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 75: The Stingy God” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 82: Flower Garden Breezes” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 85: No Women Admitted” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 86: What is Heaven” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 88: The Gourd Maker” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 91: The Man Who Makes Rainbows” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 93: Story of a Strange Elephant” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 97: Rom and Ram” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 100: The Rooster Lecoq” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 102: On Dogs and Monkeys” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 109: The Carriage of the King and the Carriage of the Beggar” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 111: Poem to Lanterns” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 112: Nezumikozo Gerokichi” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 113: Osan the Thunder Goddess” by Takei Takeo \/ hand-printed by Kobayashi Yoshiaki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 121: Rickshaw Puller Mangoro” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 126: Berabo monogatari” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kanpon
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kanpon \/ No. 133: Thundergod and Windgod” by Takei Takeo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Twenty-eight Famous Murders with Verse \/ Murai Choan” by Yoshiiku “Twenty-eight Famous Murders with Verse \/ Enjo Jizaemon” by Yoshiiku “Twenty-eight Famous Murders with Verse \/ Tsuzuki Denshichi” by Yoshiiku “Collection of People from Various Countries” by Yoshiiku “Collection of People from Various Countries” by Yoshiiku “The Five Festivals: Alternate Names of the Months \/ […]<\/p>\n","protected":false},"author":1,"featured_media":1987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1983"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1983\/revisions"}],"predecessor-version":[{"id":1989,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1983\/revisions\/1989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1987"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}