{"id":1926,"date":"2026-09-05T19:17:23","date_gmt":"2026-09-05T10:17:23","guid":{"rendered":"https:\/\/www.yamada-shoten.pro\/english\/blog\/?p=1926"},"modified":"2026-09-05T19:17:23","modified_gmt":"2026-09-05T10:17:23","slug":"new-arrival-uehara-konen-inuzuka-taisui-morita-kako-serizawa-keisuke-takehisa-yumeji-ito-shinsui-hiroshige-kuniyoshi-yoshitora-toyohisa-sadashige-yoshikazu-shunei-bairei-shunsen-and-oth","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.pro\/english\/blog\/?p=1926","title":{"rendered":"New Arrival: Uehara Konen, Inuzuka Taisui, Morita Kako, Serizawa Keisuke, Takehisa Yumeji, Ito Shinsui, Hiroshige, Kuniyoshi, Yoshitora, Toyohisa, Sadashige, Yoshikazu, Shunei, Bairei, Shunsen and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"Nagoya
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nagoya castle” by Uehara Konen<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Peony
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Peony” by Inuzuka Taisui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dragonfly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dragonfly (tentative title)” by Morita Kako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sosaku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sosaku Hanga Collection HANGA \/ Volume 3”<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yakushi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yakushi nyorai” by Serizawa Keisuke\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rebuses
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rebuses of Sumo of the East and the West” by Yoshitora<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Collection of Comical Warriors” by Hiroshige I<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Renchu
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Renchu” by Shunei<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e: Lantern” by Sadashige\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e” by Toyohisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e” by Toyohisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e” by Toyohisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e: Lord Yoritomo’s Hunting Party at Mount Fuji” by Toyohisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Musha-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Musha-e” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Collection of Children at Play” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Uchiwa-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Uchiwa-e” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Collection of Apprentice Boys Showing Good and Bad Morals \/ Cat-loving Boy and Inattentive Boy” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foreigner
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foreigner Scribbles on the Wall (tentative title)” by Unknown\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e:
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e: Lantern” by Kunimasa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Newly
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Newly Published: Rotating Shadow Lantern” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kumiage-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kumiage-e” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Surimono
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Surimono Enoshima” by Shunsen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harimaze-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harimaze-e” by Taigaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Harimaze-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Harimaze-e” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Bairei Paintings \/ Volume 1” by Kono Bairei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Bairei Paintings \/ Volume 2” by Kono Bairei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mirror
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mirror of Bairei Paintings \/ Volume 3” by Kono Bairei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nuri
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nuri hanga kyohon \/ Volume 2: Mammals” by Hirakawa Torei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Red
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Red demon-Nobunaga” by Toya Katsutoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shingen
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shingen” by Toya Katsutoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tanabata
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tanabata” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nanbanji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nanbanji” by Takehisa Yumeji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Snowy
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Snowy Road to Niigata” by Saito Shinichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"At
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“At Dr. Gachet’s Atelier in Auvers” by Mabe Tokio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Dolacul-cat
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Dolacul-cat” by Yamamoto Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"White
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“White watch” by Yamamoto Yoko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silk-55
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silk-55” by Onosato Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silk-62
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silk-62” by Onosato Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Silk-35
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Silk-35” by Onosato Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Shelter
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Shelter from the Rain” by Hiyoshi Mamoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Shower” by Hiyoshi Mamoru\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustration
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustration for Ikiru chikara” by Ito Shinsui\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Necklace
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Necklace of hers” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A girl” by Ikeda Masuo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title unknown” by Yano Keiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Title
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Title Unknown” by Yano Keiji\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"THE
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“THE \u2018SUMO\u2019 UKIYO-E CHIYONOFUJI” by Kinoshita Daimon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kiyokawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kiyokawa Hachiro” by Kawafune Misao\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rai
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rai Sanyou” by Ota Chouu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gathering
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gathering at Atagoyama” by Kamoshita Choko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokugawa
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokugawa Mitsukuni” by Ikegami Shuho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Sakuradamon Incident” by Suzuki Sujaku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kido Takayoshi” by Hasagawa Roka\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Gamou
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Gamou Kunpei” by Ikeda Choshu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tomita
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tomita Taiho” by Katayama Nanpu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sanjo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sanjo Sanemi” by Arai Shori\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hashimoto
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hashimoto Sanai” by Shimada Bokusen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Copperplate
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Copperplate Prints by Kobayashi Yuji: Water” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"EUCALYPTUS
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“EUCALYPTUS \/ Volume 26” by edited by Ogawa Tatusuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yoyo
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yoyo no mikeshi” by written by Ema Tsutomu and Utsunomiya Seitaro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Renju
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Renju Hyakunin isshu” by edited by Katano Toshiro; illustrated by Reizei Tamechika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Ladies’ Graphic \/ No.1 of Volume 2” by \t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Fishing
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Fishing Boat” by Kobayashi Sokyojin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Yamaguchi Seishi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Painting
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Painting with inscription” by Nakamura Kichiemon\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Yanagihara Kyokudo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku” by Takahama Kyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kokeshi
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kokeshi” by Sugawara Shoshichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Haiku
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Haiku and painting with inscription” by Nomura Hakugetsu\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“Nagoya castle” by Uehara Konen “Peony” by Inuzuka Taisui “Dragonfly (tentative title)” by Morita Kako “Sosaku Hanga Collection HANGA \/ Volume 3” “Yakushi nyorai” by Serizawa Keisuke “Rebuses of Sumo of the East and the West” by Yoshitora “A Collection of Comical Warriors” by Hiroshige I “Renchu” by Shunei “Kumiage-e: Lantern” by Sadashige “Kumiage-e” by […]<\/p>\n","protected":false},"author":1,"featured_media":1928,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1926","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1926"}],"version-history":[{"count":5,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1926\/revisions"}],"predecessor-version":[{"id":1932,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1926\/revisions\/1932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1928"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}