{"id":1916,"date":"2026-08-29T19:58:12","date_gmt":"2026-08-29T10:58:12","guid":{"rendered":"https:\/\/www.yamada-shoten.pro\/english\/blog\/?p=1916"},"modified":"2026-08-29T20:32:56","modified_gmt":"2026-08-29T11:32:56","slug":"new-arrival-kawase-hasui-kasamatsu-shiro-natori-shunsen-takahashi-shotei-kitano-tsunetomi-hashiguchi-goyo-nakazawa-hiromitsu-kyosaisadahide-yoshitora-eisen-toyokuni-and-others","status":"publish","type":"post","link":"https:\/\/www.yamada-shoten.pro\/english\/blog\/?p=1916","title":{"rendered":"New Arrival: Kawase Hasui, Kasamatsu Shiro, Natori Shunsen, Takahashi Shotei, Kitano Tsunetomi, Hashiguchi Goyo, Nakazawa Hiromitsu, Kyosai, Sadahide, Yoshitora, Eisen, Toyokuni and others"},"content":{"rendered":"
\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Miyajima Shrine in Snow” by Kawase Hasui<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Inokashira
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Inokashira” by Kasamatsu Shiro<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Collection
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Collection of Portraits by Shunsen \/ Actor Onoe Baiko VI as Modoribashi no Sayuri” by Natori Shunsen<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mount
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mount Fuji from Miho” by Takahashi Shotei (Hiroaki)<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yotsuya-Okido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yotsuya-Okido” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening Calm at Shinagawa” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Evening” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Spring
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Spring Evening” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Oji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Oji Inari Shrine” by Takahashi Shotei (Hiroaki)\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rest
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rest in the Lesson” by Kitano Tsunetomi<\/strong>\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Rain
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Rain at Yaba Gorge \/ Woman Applying Make-up\u3010Reproduction\u3011” by Hashiguchi Goyo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Benkei
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Benkei Chikaramochi at Mii-dera” by Nakazawa Hiromitsu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The World of Jean Carriere” by written by Jean Carriere; illustrated by Bernard Louedin\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sumida
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sumida Riverbank” by Yoshida Katsuhiko\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Chrysanthemums
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Chrysanthemums (tentative title)” by Ito Nisaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Foolish
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Foolish Drawings by Kyosai \/ Volume 1” by Kyosai\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Mashiba
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Mashiba Hisayoshi Setting Out for the Battle in the Mountains of Hakone” by Sadahide\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Yokohama
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Yokohama at a Glance” by Yoshitora\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kagoshima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kagoshima jikki Issekiwa” by Toshinobu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Beauties
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Beauties of the Pleasure Quarters \/ Shiratama of the Tamaya” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Tokaido
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Tokaido Beauties \/ Fuchu” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Comparison of Modern Forms of Charm \/ Waters at Shinchi” by Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Empress
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Empress Jingu Attacks the Three Korean Kingdoms” by Kuniyoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sun,
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sun, Moon, and Stars \/ Stars” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matched
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matched Pictures for The Storehouse of Loyal Retainers \/ Act 5” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matched
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matched Pictures for The Storehouse of Loyal Retainers \/ Act 11” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Evening
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Evening View of Ryogoku” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Pride of Edo: Thirty-six Scenes \/ Omori Handicrafts in Daishigawara” by Toyokuni III and Hiroshige II\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Inn at Mount Narita” by Toyokuni III and Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"One
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“One Hundred Beautiful Women at Famous Places in Edo \/ Fukagawa Hachiman” by Toyokuni III and Kunihisa\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Scenes
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Scenes for the Twelve Correspondences According to the Ise Almanac, Middle Section \/ Naru: Long Days in the Fourth Month” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Pictorial Commentary on One Hundred Poems by One Hundred Poets \/ No. 64: Gonchunagon Sadayori” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Pictorial Commentary on One Hundred Poems by One Hundred Poets \/ No. 25: Sanjo no Udaijin” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Biographies
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Biographies of Famous Women, Ancient and Modern \/ Kaibara no Sutejo” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Children
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Children Imitating the Seven Gods of Good Fortune \/ Benzaiten” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Nuregami
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Nuregami and Hanaregoma” by Toyokuni III\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Lively
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Lively Festivals for Lovers \/ The Konpira Shrine in Toranomon” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Matched
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Matched Pictures for The Storehouse of Loyal Retainers \/ Act 3” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bridges
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bridges in Edo \/ Ryogoku Bridge” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Bridges
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Bridges in Edo \/ Edobashi Bridge” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The First Month” by Kunisada I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"The
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“The Great Battle of the Koromo River in Mutsu Province in the Ninth Month of 1062 during the Earlier Nine-year War” by Yoshikazu\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sands
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sands of Edo: Children’s Games \/ East Slope at Kanda Myojin Shrine” by Yoshiiku\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Sakiwake
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Sakiwake shiki no hanagata \/ San’en” by Kunichika\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Eight
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Eight Views of the Eastern Capital \/ Famous Places in the Environs of Edo \u3010Reproduction\u3011” by Hiroshige I\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Beauty” by Hirezaki Eiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Utasugata
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Utasugata” by Hirezaki Eiho\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Small
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Small woodblock prints” by Takeda Shinzaburo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Meiji
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Meiji Shrine (key block print)” by Noel Nouet\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Flowers
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Flowers in the Atomic Wasteland” by Nagai Takashi and Kato Daido\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Restaurant
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Restaurant Boat Serving Oysters at the Dojima River” by Tokuriki Tomikichiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Kuchi-e
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Kuchi-e Print” by Tomioka Eisen\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Face
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Face of a Woman” by Maruyama Yoichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Thinking Angel” by Matsunaga Goichi and Nagase Yoshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"A
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“A Face” by Matsunaga Goichi and Nagase Yoshiro\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Hinodeshima
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Hinodeshima \/ Fuji” by written by Murai Gensai, kuchi-e by Mizuno Toshikata\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Numazu” by Shimizu Taigakubo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Totsuka” by Shimizu Taigakubo\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Goyu” by Mizushima Nio\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Hara” by Hattori Ryoei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Shono” by Hattori Ryoei\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Futagawa” by Ikebe Hitoshi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Toyohashi” by Kouchi Junichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Toyohashi” by Kouchi Junichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Chiryu” by Kouchi Junichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Hodogaya” by Shirota Shuichi\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Shirasuka” by Hosokibara Seiki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Shirasuka” by Hosokibara Seiki\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Illustrated
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Illustrated Scroll of the Fifty-Three Stations of the Tokaido \/ Hamamatsu” by Shishido Sako\t\t<\/a>\n\t<\/div>\n<\/div>\n
\n
\n\t\t
\n\t\t\"Indio
\n\t\t<\/a>\n\t<\/div>\n
\n\t\t
\n\t\t“Indio Girl” by Ito Shozo\t\t<\/a>\n\t<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

“The Miyajima Shrine in Snow” by Kawase Hasui “Inokashira” by Kasamatsu Shiro “Collection of Portraits by Shunsen \/ Actor Onoe Baiko VI as Modoribashi no Sayuri” by Natori Shunsen “Mount Fuji from Miho” by Takahashi Shotei (Hiroaki) “Yotsuya-Okido” by Takahashi Shotei (Hiroaki) “Evening Calm at Shinagawa” by Takahashi Shotei (Hiroaki) “Spring Evening” by Takahashi Shotei […]<\/p>\n","protected":false},"author":1,"featured_media":1919,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1916","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-arrivals"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1916"}],"version-history":[{"count":7,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1916\/revisions"}],"predecessor-version":[{"id":1925,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1916\/revisions\/1925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=\/wp\/v2\/media\/1919"}],"wp:attachment":[{"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yamada-shoten.pro\/english\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}